The 2-Minute Rule for Arrafi music Indonesia
The 2-Minute Rule for Arrafi music Indonesia
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Singkat cerita, pada tahun 1880 lah musik Keroncong baru benar-benar hadir dan dikenal sebagai identitas musik dari Indonesia.
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Although there are several new “keroncong” compositions, but the new “keroncong” tracks are hardly ever published in media.
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Selain adaptasi dari musik Fado yang dibawa bangsa Portugis di abad ke-16, musik Keroncong sendiri baru secara resmi dikenal di Indonesia pada tahun 1880. Perubahan yang terjadi dari pertama kali musik Fado masuk ke Indonesia adalah nada-nada yang digunakan.
Ada beberapa nama besar musisi Indonesia yang memilih Keroncong sebagai musik utama mereka, atau pun sebagai salah satu jenis musik yang mereka gunakan.
Salah satu alasannya adalah karena alat musik yang digunakannya adalah alat musik yang kental kaitannya dengan budaya Indonesia, seperti rebab, suling bambu dan juga established gamelan.
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Pada masa itu, para pegiat musik Fado harus menyanyikan lagu-lagu mereka di dalam Gereja Protestan dan secara tidak langsung nada yang biasa mereka gunakan pun berubah menjadi mayor.
Pengaruh lainnya datang dari musik Hawai yang kental dengan nada mayor, dan masuk ke Indonesia hampir bersamaan dengan munculnya musik Keroncong.
The emergence of “campursari” within the 1990s, pioneered by Manthous, brought an influence of fascination and have become a magnet for followers and activists of “keroncong” and standard music so that they appreciate the music and several groups of “campursari” music and that is rooted from “keroncong” grew.
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